What a shame. To make an analogy, this goes back to a basic production value I have in my own prose writing. The reader should not be aware of the fact he is reading. Readers want to be transported away into their imaginations.
To escape, just for a moment, the physical reality of their lives, to forget about the press of bodies around them on the subway, the screaming baby in the next room. So I strive to make my prose invisible. This means active sentence structure, an absence of flowery language, and simple to nonexistent dialogue tags.
Movie watchers pay too much for their tickets to have to be subjected to that. Give them their escape, Mein director! I totally agree Matthew. I was really excited to see this movie and was soaking up every experience through the previews until the director turned on me.
I do believe I would have thoroughly enjoyed this movie if it had allowed me to suspend reality instead of being reminded of my churning stomach. What will it take to convince directors to stop doing this or at least use it sparingly?
I also think there should be some sort of rating system or warning so we know which movies to wait for the small screen. I believe there is indeed a website or two out there that posts warnings about shaky-cam movies. In any case, thanks for your comment. Totally agree! What a waste of money. The director should not be able to do the next movie. And honestly shakeup camera technique should be banned. It should never ever ever be used! And why why is an unfocused camera a style! Subscribe to my monthly mailing list.
For others — perhaps those among you who do not live and die by young-adult-novel trends — the frenzy may still be a bit confusing, especially if you have reflexively grouped The Hunger Games along with Twilight and other teen fads of late.
Why is everyone freaking out about another mopey kids book? Except for the omission of rape, slightly bigger font, and far fewer pages, The Hunger Games is not much lighter fare than The Girl With the Dragon Tattoo.
Also: Most of these instances are depicted in the film, although not always as gorily as Suzanne Collins described in her novel. The game is over when there is only one child left alive. Many do. Then they start celebrating. Eventually, another tribute mercy-kills him.
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